The understated importance of Lady Gaga's face.

In a film where music says so much, one of the most powerful things about A Star is Born isn’t anything that can be heard.

It’s Lady Gaga’s face.

In an early scene of the film, co-written and directed by Bradley Cooper, and starring him as famous musician Jackson Maine and Lady Gaga as struggling performer and waitress Ally, Jackson goes backstage to meet the young woman he’s just seen sing. She’s dressed in drag, and as they speak, he asks whether her eyebrows are real.

It’s comical – because they’re exaggerated, thin black lines, unmistakably part of a heavily made-up drag look. Jackson is fascinated as Ally removes them, wanting to see what her face actually looks like. When he asks about her passion for music, Ally explains that she’s given up pursing a career in the industry because she’s been told over and over again that her nose is “too big”. Jackson’s affection for Ally’s nose is a running theme throughout the film, and when she eventually appears on an LA billboard, he comments that the whole image should just be her nose.

But it’s not necessarily the physical composition of Lady Gaga’s face that’s so striking for audiences. Indeed, seeing a real-person nose and non-veneered teeth on screen is increasingly rare, as it’s becoming less and less clear what human women actually look like without surgery and contouring and needles. For me, however, the power of Lady Gaga’s face was bigger than that.

It was the messiness of her appearance that said the most.

It was the uninhibited expressions, the sweat, the smudged makeup and the awkward haircut. The way she wasn’t worried about looking beautiful when she sang. And the way her entire physicality wasn’t passive or docile or immaculate – but unapologetic and assured.

Lady Gaga’s face was that of a different type of woman to what we’re used to seeing in mainstream popular culture. And as a result, that face was able to tell a different type of story.

Every woman who has ever actually done anything, whether it be studying or exercising or singing or parenting, will know that it doesn’t look beautiful. It definitely doesn’t look the way it’s portrayed in ads, on TV, on Instagram or on YouTube. Overwhelmingly, representations of women are primarily focused on our attractiveness, rather than the essence of what we’re doing. When we exercise, we apparently don’t sweat. When we study, our mug matches our t-shirt and our expression of concentration doesn’t come with any angry-looking lines. When we parent, we’re immaculately groomed and ostensibly calm.


But have you ever caught yourself in the mirror in a moment when you were deeply engaged in what you were doing? Have you ever seen that when you study, you chew your mouth in an unflattering way, or when you sing, you tend to get a double chin? Because when you’re really doing something – anything – you don’t care about how you look. The meaning you get from doing something immediately trumps the importance of looking a certain way. Women’s achievements are paved from those moments in between their self consciousness, the stolen minutes where they forget to see themselves as objects and instead become subjects, utterly in the grasps of the task at hand.

A Star is Born, and specifically Lady Gaga’s face in it, is the first time I’ve seen this concept portrayed on screen.

"It's easy to get lost in a story that feels real, and A Star is Born feels real because it looks real." Image via Warner Brothers.

The concept that when women are truly doing something, it's not about looking beautiful while doing it.

When Lady Gaga's Ally first sings on stage with Bradley Cooper's Jackson, no one - not her, not him, and not the audience - is thinking about how she looks. Perhaps that's why, despite many being familiar with the plot, the love story in 2018's A Star is Born doesn't feel like any other. Because when Jackson looks at Ally, particularly when she performs, he isn't looking at her nose or her hair or her waist. He's looking at her. And we're not used to mainstream, popular films going beyond the superficial.

The box office and critical success of Bradley Cooper's directorial debut is no accident. It's easy to get lost in a story that feels real, and A Star is Born feels real because it looks real.

For me, Lady Gaga's face holds an abstract power. It reminds us that those moments where the self consciousness fades away, and we're truly immersed in what we're doing rather than how we look, is where the magic happens. And that raw, candid, unrestrained condition is, unquestionably, when we're at our best.

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