On Tuesday night’s episode of The Project, Waleed Aly once again summed up what everyone’s thinking about one of the most controversial news stories of the year.
A story so divisive, it’s prompted hundreds of people to protest on the steps of Australia’s most iconic landmark.
Late last week, the New South Wales Liberal government instructed the Sydney Opera House to promote the Everest Carnival, a $10 million dollar horse race set for October 13, through advertising on the structure’s white sails on Tuesday night.
As Sydney Opera House CEO, Louise Herron, explained to The Sydney Morning Herald: “The community regards the Opera House as its asset to be treated with respect, to be treated as the treasure it is.”
In fact, Opera House policy explicitly forbids the display of “logo[s] or corporate identity”.
“What that means is when people come along and say ‘I want to advertise Chicken Tonight on the sails,’ we can hold firm because we never approve that,” the chief executive told The Sydney Morning Herald.
On the other side of the debate sits Prime Minister Scott Morrison, who says he can’t understand why everyone is making such a fuss over the proposal. Next to him is Gladys Berejiklian, the Premier of New South Wales, who is allowing it to go ahead. And from behind a microphone broadcasting to the nation, we heard 2BG broadcaster Alan Jones’ opinion on the matter, that “we own the Opera House, not you,” he told Herron.
But just who exactly is the ‘we’ Jones was referring to?
It’s that exact question Aly answered in a segment on The Project that explained why this issue is so much bigger than advertising on the Sydney Opera House or a rich horse race.