The film so horrific, 100 people walked out of the cinema during the world’s most famous film festival.

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On Monday night, hundreds of people filed into the Cannes Film Festival theatre to watch the world premiere of The House that Jack Built directed by Lars Von Trier.

The Danish director is known for making films that push boundaries and his arrival at the festival was greeted by a standing ovation. But as the movie played out, the cheers faded to astonishment and disgust.

Some of the film’s scenes were so horrific, The Hollywood Reporter claimed 100 people walked out of the cinema.

Not because of the film’s violence, which some viewers would have expected from the Lars Von Trier’s movie.

But because of who the film’s violence was directed at.

The House that Jack Built is billed as a psychological thriller about a serial killer with more than 60 deaths to his name, played by American actor Matt Dillon, who views the mutilation and murder of women and children as art.

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According to the director, the film “celebrates the idea that life is evil and soulless, which is sadly proven by the recent rise of the Homo Trumpus, the rat king.”

Regardless of the film’s intention, several journalists and film critics have spoken about the brutal and graphic scenes depicting violence against women and children that were hard to stomach.

Variety’s Ramin Setoodeh tweeted a photo of some of the audience members as they left the permier, saying he’d never seen anything like it at a film festival.

“More than 100 people have walked out of Lars von Trier’s ‘The House That Jack Built,’ which depicts the mutilation of women and children. “It’s disgusting,” one woman said on her way out,” he wrote.

Others called this film ‘gross’, ‘vomitive’ and ‘torturous’, saying it should never have been made.

Stuff reporter Andrea Mandell recalled the woman next to her in the cinema asking, “Will you sleep tonight?” after the credits rolled.

The House that Jack Built marked the Danish director’s first appearance back on the Cannes red carpet since he was banned for seven years in 2011 for making jokes about sympathising with Hitler.

To see a film about the abuse and mutilation of women, like Von Trier’s, receive a six-minute standing ovation at the same festival where Cate Blanchett and 81 other women stood on the steps of the Palais demanding gender equality is jarring.

It might also be the reason neither of the film’s female stars, Uma Thurman nor Riley Keough, showed up at Cannes to promote the film or walk the red carpet.

Would you see a film that depicts violence against women and children? Do you think art and reality should be separated?

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