An adaptation of Liane Moriarty’s bestselling book of the same name, it stars Reese Witherspoon, Nicole Kidman and Shailene Woodley as seemingly perfect suburban mums who become embroiled in a murder.
Listen to Laura Brodnik and Tiffany Dunk explain why Big Little Lies is unlike anything we have seen before on The Binge.
But while it’s dominated watercooler talk, the critics aren’t so impressed.
1.It’s too full of cliches.
According to Mike Hale of the New York Times, it’s too unoriginal.
“The real problem with “Big Little Lies” is that the women’s stories, however well acted and artfully photographed, are just a compendium of clichés about upper-middle-class angst,” he wrote in his review.
While the everyday concerns of the primary characters may at first seem ‘trivial’, given that we see most of the characters in relation to their young children, this should almost be expected.
Plus, not only is it purposeful to juxtapose the darker truth that underlies them, it’s also extremely accurate. That relatability is largely what made the book – and the film – resonate with so many.
Vanity Fair’s Richard Lawson summed it up perfectly when he wrote, “Though it covers some awfully well-worn subject matter, Big Little Lies is, in its curious way, like nothing I’ve seen before.”
2. It’s not entertaining.
“It could have learned a few lessons from that long-running ABC potboiler in how to tell a story and keep an audience entertained”, Hale continued in his New York Times review.
“It [the drama] doesn’t come from the mystery, which, through six of the season’s seven episodes, hangs offscreen like a dead fish.”
Noticing a theme here of the types of people who don't quite 'get' Big Little Lies. I wonder how much of its relatability is for females, who likely know the schoolyard politics far too well.