Netflix’s American Murder: The Family Next Door will make you feel deeply uncomfortable and incredibly angry.

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This post deals with graphic descriptions of violence and will not be suitable for all readers. 

Most true crime documentaries follow a familiar trope. 

In the opening minutes, a detective, or a reporter, or a family member of the victim, speaks straight to the camera. 

They talk about the case with a level of detachment and reflection that only comes from time and distance. 

They've had time to grieve and process what happened to their loved one. The detective has gone over the facts time and time again. The reporter knows the story like the back of their hand. 

WATCH: The trailer for Netflix's American Murder: The Family Next Door. Post continues below...

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The unimaginable crime happened five, 10, 30 years ago and they've had time to distance themselves from the fresh horror of it all. 

Netflix's newest true crime offering, American Murder: The Family Next Door, is different. 

It uses police bodycam footage, recordings from the interview room, and snippets from Facebook to plunge us straight into the middle of the Watts family murders. 

The documentary begins with the police arriving at the home of Chris and Shanann Watts and their two young daughters, Celeste and Bella, in Frederick, Colorado, on the morning of August 13, 2018. 

Nickole Atkinson, a friend of Shanann, had called the police as she hadn't heard from her and she was concerned for her welfare. 

Through bodycam footage, we see the police and Nickole and her partner peering through the windows of the house, looking for any signs of distress. 

They're just about to open the garage when Chris arrives home. He jogs into the garage and opens the front door. 

While the police and the friends search the house, Chris casually answers their questions. 

He says the girls' blankies are gone, and they'd never sleep without them. He seems as confused as Nickole when they discover Shanann's phone sitting on the bannister at the top of the stairs. 


He doesn't understand where his wife, who was 15 weeks pregnant, and their two daughters, who were just four and three at the time, could have gone. 

Later, we see Chris sitting in an interview room. He chats casually with FBI agent Graham Coder and suggests that someone must have taken Shanann and it must have been someone she knows. 

"If someone took her, it would have to be someone she knew," he says, "because there's no sign of anything, like, being disturbed or broken." 

After he fails a lie detector test, he continues to deny knowing anything about the whereabouts of his small family. 

Even when the investigators reveal the fact they know he has been having an affair with his colleague Nichol Kessinger for two months, and he was planning to leave his wife, Chris plays dumb. 

Later, when his dad comes into the room, Chris changes his story. He tells his dad he killed Shanann after she killed the two girls. 

When Agent Coder asks him whether he's comfortable with the world knowing Shanann killed their two daughters, he replies that he is. 

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Of course, the truth soon emerged when the bodies of Shanann, Bella and Celeste were recovered from an oil field owned by the petroleum company that Chris worked for.

His wife and his unborn son had been buried in a shallow grave, and his daughters submerged in crude oil vats.

Chris later confessed to the murders and is currently serving three consecutive life sentences without a chance of parole. 

It's been just over two years since Chris Watts murdered his wife and two young daughters in cold blood. 

The grief and pain is still raw and ever-present for Shanann's family. The community of Frederick, Colorado, is still wondering how something like this could have happened in their backyard. The detectives in the case are still piecing together what happened from Chris's ever-evolving version of events. 

There's no distance in this story and that's what makes it uncomfortable to watch. 

But we need to watch it and we need to sit with our discomfort. We need to be angry. We need to talk about these horrific crimes and we need to share the stories of women like Shanann and children like Bella and Celeste. We need to know that men like Chris Watts exist. 

And hopefully, one day, there will be no need for a documentary like American Murder: The Family Next Door. 

You can watch American Murder: The Family Next Door on Netflix now.